Introduction
William K. Everson, born on April 8, 1929, in Yeovil, Somerset, was a significant figure in the realm of film history and criticism. As an English-American archivist, educator, author, and film historian, Everson dedicated his life to the preservation and appreciation of cinema, particularly silent films and lesser-known works from the early to mid-20th century. He was instrumental in discovering lost films and played a crucial role in reshaping the discourse around early cinema, influencing generations of film historians and enthusiasts.
Early Life and Career
Everson’s early life was steeped in the world of film from a young age. He was the son of Percival Wilfred Everson, an aircraft engineer, and Catherine Ward. His interest in the motion picture industry blossomed as a teenager when he took a job as a publicity manager at Renown Pictures. During this time, he began writing film criticism and was actively involved in operating various film societies, laying the groundwork for his future endeavors in film history.
After serving in the British Army from 1946 to 1948, Everson transitioned to managing cinema theaters for London’s Monseigneur News Theatres. However, at the age of 21, he made a pivotal decision to emigrate to the United States in 1950. It was there that he continued his career in the film industry by working in the publicity department of Monogram Pictures (later known as Allied Artists), eventually becoming a freelance publicist. This transition marked the beginning of his deep engagement with American cinema.
Dedication to Film Preservation
Everson’s passion for preserving films from the silent era through the 1940s became one of his most defining pursuits. He recognized that many important films were at risk of being lost forever due to neglect or destruction. Utilizing his extensive industry connections, he began acquiring feature films and short subjects that were slated for deletion or abandonment.
His efforts culminated in the establishment of the Theodore Huff Film Society, named after filmmaker Theodore Huff, who was also a biographer of Charlie Chaplin. This society served as a platform for showcasing rare films that would otherwise have gone unseen by modern audiences. Alongside notable figures such as film critic Seymour Stern and Variety columnist Herman G. Weinberg, Everson contributed to creating an environment where film enthusiasts could appreciate overlooked gems from cinema’s past.
The Screening Experience
The screenings held by the Theodore Huff Film Society were known for their informative program notes written by Everson himself. His notes provided valuable context and analysis for each film presented. The society operated primarily out of Union Square during the 1960s before relocating to The New School at the invitation of Joseph Goldberg, a fellow member and professor there.
Everson’s screenings often included rare double features that juxtaposed classic films with lesser-known works. One notable incident occurred when he screened the 1925 version of “Ben-Hur” after expressing skepticism about MGM’s remake in 1959. This led to an encounter with FBI agents who seized the print due to its copyright status; however, Everson’s reputation shielded him from significant repercussions during a time when collectors faced increasing scrutiny from authorities.
Influence on Film Scholarship
Throughout his career, Everson emerged as a pivotal figure among film historians from the 1960s through the 1980s. His influence extended beyond screenings; he was also deeply involved in academia. From 1964 to 1984, he taught film history at The School of Visual Arts and later became a professor at New York University’s Tisch School of the Arts from 1972 until his passing in 1996.
Everson’s teaching focused on various genres including comedy, Westerns, and British films. His charismatic approach made him popular among students and aspiring film scholars alike. Additionally, he shared his insights with broader audiences through appearances on radio talk shows as well as through participation in various film-related projects.
Collaboration with Filmmakers
Everson’s expertise led him to collaborate with producers and studios on projects related to silent films. He worked closely with Robert Youngson on reviving silent comedies for modern audiences, utilizing his extensive knowledge to curate collections that celebrated these cinematic treasures. His contributions also included serving as a technical advisor for television specials such as “Hollywood: The Golden Years” and “The Legend of Rudolph Valentino.” Through these efforts, he helped bridge the gap between classic and contemporary cinema.
Literary Contributions
In addition to his work as an archivist and educator, William K. Everson authored several influential books about film history. His notable works include “The American Movie,” “The Films of Laurel and Hardy,” “American Silent Film,” and “The Hollywood Western.” These publications not only reflect his deep knowledge but also his passion for educating others about cinema’s rich history.
Everson consistently contributed articles and reviews to various publications throughout his career, further establishing himself as an authority on film criticism. His writings often focused on rediscovering forgotten works and reassessing their importance within the broader context of cinematic history.
Death and Legacy
William K. Everson passed away on April 14, 1996, due to prostate cancer at age 67 in Manhattan. Survived by his wife Karen Latham Everson, children Bambi and Griffith, as well as granddaughter Sarah, his legacy continues through numerous avenues including his extensive film collection which was transferred to the George Eastman Museum after his death.
The Tisch School of the Arts at New York University holds most of Everson’s manuscripts, screening notes, and memorabilia within what is now known as the William K. Everson Collection. In recognition of his contributions to film history, the National Board of Review established the William K. Everson Award for Film History in 1994.
Conclusion
The impact of William K. Everson on film preservation and scholarship is immeasurable. Through his dedication to rescuing lost films and educating new generations about cinema’s past, he transformed how early cinema is perceived today. His work continues to inspire both scholars and movie lovers alike who seek to uncover and celebrate hidden cinematic treasures from bygone eras.
Artykuł sporządzony na podstawie: Wikipedia (EN).